How to Write About Contemporary Art

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Includes a bibliography, advice on the use and misuse of grammar and tips on how to construct your own contemporary art library. Artforum correspondent Williams The Gothic applies lessons in graceful prose to the field of art writing.

Contemporary art prose regularly tends toward dense, labyrinthine text that does little to illuminate the work, impenetrable to those who don't know the jargon and tedious to those who do. As Williams shows, the anecdote is less about secret, insider knowledge and more about the basics of clean prose. Williams excels, however, when looking at excerpts from accomplished critics, including Rosalind Krauss and Walter Benjamin, and when giving nuts-and-bolts advice for crafting specific genres of art-world documents catalogue essays, short news articles, academic essays, and the like.

A Short Guide to Writing about Art by Sylvan Barnet This best-selling text has guided tens of thousands of art students through the writing process. Students are shown how to analyze pictures drawings, paintings, photographs , sculptures and architecture, and are prepared with the tools they need to present their ideas through effective writing.

What It Means to Write about Art by Jarrett Earnest The most comprehensive portrait of art criticism ever assembled, as told by the leading writers of our time. In the last fifty years, art criticism has flourished as never before.

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How to Write About Contemporary Art

Moving from niche to mainstream, it is now widely taught at universities, practiced in newspapers, magazines, and online, and has become the subject of debate by readers, writers, and artists worldwide. Scott Fitzgerald famously said that the test of a 'first rate intelligence' is 'the ability to hold two opposed ideas in the mind and still retain the ability to function.


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He convincingly straddles the often wide gaps between art and science, mind and body, research and practice, teaching and doing, traditional and postmodern views of education and of art, creative and critical thinking. Art As Research by Shaun McNiff Editor The new practice of art-based research uses art making as a primary mode of enquiry rather than continuing to borrow research methodologies from other disciplines to study artistic processes.

How to Write About Contemporary Art - Gilda Williams - Google книги

The Art of Critical Making by Rosanne Somerson Editor Describes the world's leading approach to art and design taught at Rhode Island School of Design At Rhode Island School of Design students are immersed in a culture where making questions, ideas, and objects, using and inventing materials, and activating experience all serve to define a form of critical thinking--albeit with one's hands--i. Creative Research: the theory and practice of research for the creative industries by Hilary Collins In creative contexts, a visual approach to research is often more appropriate, but this must be underpinned with systematic and rigorous techniques.

Creative Research assesses how academic research methodologies must be adapted to suit the creative disciplines and industries and offers a guide to the process of undertaking a research project in this context. Artistic Research: strategies for embodiment by Christine Fentz Editor Artistic research is still a relatively new field, and in this groundbreaking anthology scholars from performing arts, dance, voice work, fine art, drawing film, video, architecture and philosophy present the breath and variety of their research.

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It is often asserted that the body shapes all aspects of cognition. The arts--more than any other field of human knowledge--question and challenge the idea of separation of body and mind. Embodiment is the thread that runs through the contributions of this volume. Artist Scholar by G. James Daichendt Artist Scholar: Reflections on Writing and Research is part history, introduction, and discussion for artists and designers entering, graduating, and employed by the contemporary art academy in the United States.

Practice as Research by Estelle Barrett Editor ; Barbara Bolt Editor Practice-led research is a burgeoning area across the creative arts, with studio informed doctorates frequently favoured over traditional approaches to research. Thinking through practice : art as research in the academy by Duxbury, Lesley. Thinking Through Practice shows what the process of 'thinking' might mean through art and its practices.

Each chapter moves us into closer proximity with what it means to think through making and all that is involved in sustained forms of creative practice - questioning, reviewing, reflecting, analysing, performing, speculating, relating, remembering, critiquing, constructing and ultimately further questioning.


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Material Thinking by Paul Carter This intimate account of how ideas get turned into artwork--including dance performance, film, sound installation, sculpture, and painting--looks at how the material thinking that art embodies produces new understandings about individuals, their histories, and the cultures they inhabit.

The measurement of the significance and 'impact' of research is absolutely paramount in today's academic world - as evidenced by the recent introductions of research assessment exercises in the UK, Australia, Hong Kong and New Zealand. Material Inventions: Applying Creative Arts Research offers new and original ways of conceptualizing impact and innovation in creative arts research.

This important book demonstrates how artistic research is capable of solving real-life problems and presenting transforming accounts of the world. New Books on Art Research The Nexus of Practices by Allison Hui Editor ; The Nexus of Practices: connections, constellations, practitioners brings leading theorists of practice together to provide a fresh set of theoretical impulses for the surge of practice-focused studies currently sweeping across the social disciplines.


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  • With each intellectual move, it generates further opportunities for social research. Artistic Research in the Future Academy by Danny Butt The rapid growth of doctoral-level art education challenges traditional ways of thinking about academic knowledge and, yet, as Danny Butt argues in this book, the creative arts may also represent a positive blueprint for the future of the university.

    Synthesizing institutional history with aesthetic theory, Artistic Research in the Future Academy reconceptualizes the contemporary crisis in university education toward a valuable renewal of creative research.